Images - Yale Architecture

Student Work Building Project
Exhibitions
YSOA Publications

Rudolph Hall / A&A
Student Travel
Perspecta

Posters
Section
Axonometric drawing
Year End (of the World)

Urbanism
One point perspective

Finalprintset

collage

Rediscovering Home- Section

Model view by Claire Haugh.

Tom McDonough Henry Sussman Yale Architecture Forum

Section drawing

table models dinner

01 a photo in berlin

Cover of Constructs Spring 2003

Model

Collapsed Landscapes by Erin Bascom

Drawing by 2016 BP team A

Drawing by 2016 BP team F

Shared Community Space: Daytime

“Silver shop Main St. SM,” Santa Monica Denise Scott Brown, 1968 © Denise Scott Brown

site plans

The Schermerhorn

Commissarisrebecca10

Devin Jernigan

Tatiana Bilbao advanced studio trip to Mexico City

MJ Long

New Haven Clock Factory installation

School of architecture 2025 2026 1

Class of 2014.JPG

Sketchbook Pages

Holiday Inn, Memphis, TN. 1952. Photo: Unknown. Photo: Unknown.“Holiday Inn Hotel Courts – Memphis, Tennessee.” Digital Image

Map_4. “Fake Property Zones” of some US cities. All created by F. Neyran Turan by data compiled from Richard Wiles and James R. Cox, “Nuclear Waste Accident Scenarios in the United States,” Environmental Working Group, (June 2002), http://www.mapscience.org/plumes/national.pdf, Arjun Makhijani, Howard Hu and Katherine Yih ed., Nuclear Wastelands: A Global Guide to Nuclear Weapons Production and Its Health and Environmental Effects, (Cambridge, Massachusetts: MIT Press, 1995). Final Environmental Impact Statement for a Geologic Repository for the Disposal of Spent Nuclear Fuel and High-Level Radioactive Waste at Yucca Mountain, Nye County, Nevada. U.S. Department of Energy, Office of Civilian Radioactive Waste Management. February 2002, http://www.ymp.gov/documents/feis_a/web_pdf/rgd_summ/rgsum_bm.pdf, and “Nuclear Neighborhoods”, http://nuclearneighborhoods.org.

Memorial to Enslaved Laborers

Core I Studio Project

Section model of MuCEM

Trӓdfabrik (Tree Factory)

Installation view of A Retrospective on Ten Years of Practice in Eastern Contexts

Watercolor of old wall

Klara Kemp-Welch