Images - Yale Architecture

Student Work Building Project
Exhibitions
YSOA Publications

Rudolph Hall / A&A
Student Travel
Perspecta

Posters
Section
Axonometric drawing
Year End (of the World)

Urbanism
One point perspective

Neck of the Moon at YSOA

Kyle Dugdale

Alexolivier 4

Gowanus Terraces Diana Smiljkovic

Detail model of the Illwerke Zentrum Montafon.

Panel mock-up.

032526 vision vs visual poster

About

Water, Women, & Wellness

Views of German and Japanese Test Structures, Dugway Proving Ground, Utah (Source: N.D.R.C.)

Summer 2021 launch event 3

Drawing by Tess McNamara

Perihan MacDonald Axon Final Project

Marc de la Bruyere

Teddy Cruz

20230612 2023 06 12 r5b 9032

Jiachendeng yes 20217

model

glasshouse gallery installation

Drawing by Anne Ma

Spread from Architecture of the Everyday

prototype

Image of Mayor Toni Harp introducing Blair Kamin.

Endo cover front

Landscape section drawing by Haylie Chan.

Map_4. “Fake Property Zones” of some US cities. All created by F. Neyran Turan by data compiled from Richard Wiles and James R. Cox, “Nuclear Waste Accident Scenarios in the United States,” Environmental Working Group, (June 2002), http://www.mapscience.org/plumes/national.pdf, Arjun Makhijani, Howard Hu and Katherine Yih ed., Nuclear Wastelands: A Global Guide to Nuclear Weapons Production and Its Health and Environmental Effects, (Cambridge, Massachusetts: MIT Press, 1995). Final Environmental Impact Statement for a Geologic Repository for the Disposal of Spent Nuclear Fuel and High-Level Radioactive Waste at Yucca Mountain, Nye County, Nevada. U.S. Department of Energy, Office of Civilian Radioactive Waste Management. February 2002, http://www.ymp.gov/documents/feis_a/web_pdf/rgd_summ/rgsum_bm.pdf, and “Nuclear Neighborhoods”, http://nuclearneighborhoods.org.

3 (1)

Context plan by Jennifer Fontenot.

CEA Ecological Living Module

the light house by all zone architects

clay models

Drawing by Robert Smith Waters

Paul Rudolph Hall, Chapel Street Facade

Installation view of Intelligens. Natural. Artificial. Collective. by Andrea Avezzù, courtesy La Biennale di Venezia