Yale Architecture

Student Work Building Project
Exhibitions
YSOA Publications

Rudolph Hall / A&A
Student Travel
Perspecta

Posters
Section
Axonometric drawing
Year End (of the World)

Urbanism
One point perspective

game prototype

Lilly’s Auto Camp, Santa Clara County, California. ca. 1927. Photo: Jane Lidz. “Lilly’s Auto Camp, Santa Clara County, California.” ca. 1927. Digital Image

Books

Core 3 Studio Project

in sync exhibition

An installation image of Resonance of Things Unseen: Indigenous Sovereignty, Institutional Accession, and Private Correspondence, an exhibition that displayed the fieldwork documents of a former Peabody Curator. Exhibition on view from March 26 - November 1, 2024.

Model photograph by Robert Hon and Wesley Hiatt.

Event poster for Duane Blue Spruce event

Drawing by Alexis Hyman

Photograph, St. Thomas Preparatory School. 1952–1958. Photographic print, 29.2 x 14 cm. Photographed by Geoffrey Bawa. © Geoffrey Bawa and Lunuganga Trusts

Joyce Hsiang and Bimal Mendis

Drawing by 2016 BP team A

On Weaving Drawings Plates 10-12 by Anni Albers

plan oblique

Drawing by Yazma Rajbhandary.

Rendering of the Tuskegee Chapel by Paul Rudolph

Collage of Holy Mosque and expansions surrounding it. Far left shows the construction work taking place on the King Abdullah expansion of the Holy mosque from the roof. Center shows the Abraj Al Bait Clock tower. Right reveals other hotel complexes including the Jabal Omar Development. Images and Collage by author. January 2019.

Model by Andrew Dadds

4 hongyu wang conceal & reveal

Thompson ben 5

perspective

Model by Valeria Flores.

Diagram by Christine Tran.

1.design strategy

Drawing by Jared Abraham

Neighborhood plan.

Reception at the Paul Rudolph Townhouse.

Integration postlogin device

Museum of Independence, Dhaka

homeless housed exhibition pavilion

Szivoscass2 archive

Tree in Charleston

Dean

Installation view of The Tuskegee Chapel: Paul Rudolph X Fry & Welch, on view January 9–July 5, 2025 at the Yale Architecture Gallery. Photo by Benjamin Piascik

Concrete swatch in a Louis Kahn building.

Katherine Kuenzli