Yale Architecture

Student Work Building Project
Exhibitions
YSOA Publications

Rudolph Hall / A&A
Student Travel
Perspecta

Posters
Section
Axonometric drawing
Year End (of the World)

Urbanism
One point perspective

Axonometric drawing

The “nave” of the Arsenale. Photograph by Andrea Avezzù, courtesy La Biennale di Venezia

Map_4. “Fake Property Zones” of some US cities. All created by F. Neyran Turan by data compiled from Richard Wiles and James R. Cox, “Nuclear Waste Accident Scenarios in the United States,” Environmental Working Group, (June 2002), http://www.mapscience.org/plumes/national.pdf, Arjun Makhijani, Howard Hu and Katherine Yih ed., Nuclear Wastelands: A Global Guide to Nuclear Weapons Production and Its Health and Environmental Effects, (Cambridge, Massachusetts: MIT Press, 1995). Final Environmental Impact Statement for a Geologic Repository for the Disposal of Spent Nuclear Fuel and High-Level Radioactive Waste at Yucca Mountain, Nye County, Nevada. U.S. Department of Energy, Office of Civilian Radioactive Waste Management. February 2002, http://www.ymp.gov/documents/feis_a/web_pdf/rgd_summ/rgsum_bm.pdf, and “Nuclear Neighborhoods”, http://nuclearneighborhoods.org.

Drawing by Punde, Sorabjee, and Yang

Wright shelby 5

Laura Pirie

timeline diagrams

Exterior view

Amy Kulper Yale Architecture Forum

Reading Sadu exhibition

Niall McLaughlin studio trip in London

2017 Building Project. Image by Zelig Fok and Haylie Chan.

Drawing by Kristin Nothwehr

plan drawing

Vertical Cities exhibition

Gina Narracci

Mill River and Lake Whitney looking north from East Rock (1906)

Carrillo 1

Easy Work Lecture at Yale School of Architecture

Home/Work Displacements Jane Rendell

Neighborhood diagram.

Physical model by Nasim Rowshanabadi.

Environmental Awareness Center

New Haven Exhibition Space-Site Section

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Model view.

Axonometric urban plan

Anthony Vidler

YSOA funding pie chart 13% other income, 29% net tuition, 58% philanthropy

Prusamk3s default

Reveil exhibition poster detail line drawing

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Drawing by Aymar Marino-Maza