Yale Architecture

Student Work Building Project
Exhibitions
YSOA Publications

Rudolph Hall / A&A
Student Travel
Perspecta

Posters
Section
Axonometric drawing
Year End (of the World)

Urbanism
One point perspective

chart alumni professional roles

Pierre Bélanger lecture

Drawing by Robert Smith Waters

`Map_18. “Network Cities” of the North Sea. Platforms, pipelines and oilfields. Maps created by Neyran Turan. Data compiled from Oilfield Publications Limited, The North Sea Oil and Gas Activity and Concession Map, (Ledbury, Herefordshire, England: Oilfield Publications Limited, 2003), Map Collection, Yale University Library.

Ringon Axon

The Motherland Maternity Care Center

Aureli Advanced Studio travel to San Francisco

cyanotype

Social Construction exhibition

Drawing by Adil Mansure

Image of the "Social Construction" gallery talk.

Kollhoff studio trip to Berlin

Four abandoned storefronts. 1) a dingy, derelict, dark room. A crumbling sign for a sustainable furniture shop. Shelves on the walls, and a hole punched through with the words “CRAWL”. 2) an old cafe. Rotted ceiling panels cover the counter and floor. A bright green and purple “THANK YOU” sign. 3) the remnants of a nail salon. Full nail-polish display intact, dusty. Mani-pedi chairs like beached whales, nasty. Someone has spray-painted in terrible colors. 4) A narrow white room. White tiles, pale green strip. A fallen angel.

Sketchbook Pages

Plan drawing by Danielle Schwartz.

Ramón López (photograph and set designer), Three Maries and a Rose production, 1979 at Teatro El Ángel, Santiago. Chilescena Archives.

Caroline Kraska

Physical model by Ethan Zisson.

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Gluckman Tang Architects, Zhejiang University Museum of Art and Archaeology (ZUMAA), Hangzhou, China

Alternate plan for south-west corner of Jätkäsaari Source: Lehtovuori and Lehtovuori 2007

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Kroin mari 8

Interior view.

Sketchbook Pages

Group h page 18

Wesley elevation

Cover of Perspecta 29: Into the Fire

Weather and its media

Drawing by Andrew Busmire.

Plan drawing

Log Housing Analysis, Notebook 3, 2014

Drawing by John Wan