Yale Architecture

Student Work Building Project
Exhibitions
YSOA Publications

Rudolph Hall / A&A
Student Travel
Perspecta

Posters
Section
Axonometric drawing
Year End (of the World)

Urbanism
One point perspective

collage

Post 3

axonometric

Morgan Anna Kerber

santa maria in campitelli

Maxwirsing 06

Model by Mengshi Sun

Panel by Shreya Shah

Typology diagram

Mm kelloggscholofmanagement brucedamonte

Drawing by Heather Bizon

Core I Studio Project

Drawing by Jeremy Leonard, Gordon Schissler, and Madison Sembler.

site model

Map_4. “Fake Property Zones” of some US cities. All created by F. Neyran Turan by data compiled from Richard Wiles and James R. Cox, “Nuclear Waste Accident Scenarios in the United States,” Environmental Working Group, (June 2002), http://www.mapscience.org/plumes/national.pdf, Arjun Makhijani, Howard Hu and Katherine Yih ed., Nuclear Wastelands: A Global Guide to Nuclear Weapons Production and Its Health and Environmental Effects, (Cambridge, Massachusetts: MIT Press, 1995). Final Environmental Impact Statement for a Geologic Repository for the Disposal of Spent Nuclear Fuel and High-Level Radioactive Waste at Yucca Mountain, Nye County, Nevada. U.S. Department of Energy, Office of Civilian Radioactive Waste Management. February 2002, http://www.ymp.gov/documents/feis_a/web_pdf/rgd_summ/rgsum_bm.pdf, and “Nuclear Neighborhoods”, http://nuclearneighborhoods.org.

Installation views of *Materialized Space: The Architecture of Paul Rudolph*, on view September 30, 2024–March 16, 2025, at the Metropolitan Museum of Art. Photos by Eileen Travell, courtesy of the Metropolitan Museum of Art

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Retrospecta 43 cover

Life after Abstraction Joshua Tan

Dem 9675

dance simulation

Outdoor balcony porch space with wood slat screen

Alexolivier 4

Black Power Fist at Yale

Image of antiquities by Jack Lipson

Tuskegee Chapel interior by Ezra Stoller

Drawing by Berkowitz and Sembler

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Aaron Martin

John Durham Peters

Black sand beach in New Zealand

Great Island House

Drawing by 2016 BP Team B

Drawing by Richard Green

MANY installation by Keller Easterling