Images - Yale Architecture

Student Work Building Project
Exhibitions
YSOA Publications

Rudolph Hall / A&A
Student Travel
Perspecta

Posters
Section
Axonometric drawing
Year End (of the World)

Urbanism
One point perspective

Graduation

Perspecta 22

Jiachendeng yes 20214

Diagram of mural collage.

Drawing by Kristin Nothwehr

Image of the symposium Environment, Reconsidered

Izzy Kornblatt

Cover of Retrospecta 40

Oskar Hansen: Open Form exhibition at YSOA (2016)

36x48 70 mulberry open

Ana María Durán Calisto

Model of housing prototype

Drawing by Christopher Leung

Core 3 Studio Project

Map_4. “Fake Property Zones” of some US cities. All created by F. Neyran Turan by data compiled from Richard Wiles and James R. Cox, “Nuclear Waste Accident Scenarios in the United States,” Environmental Working Group, (June 2002), http://www.mapscience.org/plumes/national.pdf, Arjun Makhijani, Howard Hu and Katherine Yih ed., Nuclear Wastelands: A Global Guide to Nuclear Weapons Production and Its Health and Environmental Effects, (Cambridge, Massachusetts: MIT Press, 1995). Final Environmental Impact Statement for a Geologic Repository for the Disposal of Spent Nuclear Fuel and High-Level Radioactive Waste at Yucca Mountain, Nye County, Nevada. U.S. Department of Energy, Office of Civilian Radioactive Waste Management. February 2002, http://www.ymp.gov/documents/feis_a/web_pdf/rgd_summ/rgsum_bm.pdf, and “Nuclear Neighborhoods”, http://nuclearneighborhoods.org.

Drawing by Aymar Marino-Maza

210517 eoy exhib 06

Oskar Hansen: Open Form exhibition at YSOA (2016)

Berghaus 190053/5

lauren carmona drawing

Retrofuturisms

plan oblique

Poster horizontal

Ornament and class v02

Drawing by Punde, Sorabjee, and Yang

Envision Resilience Nantucket

model

Manualpapersize

Event poster

reVEIL exhibit

Cover of Spring 2018 Constructs

*Vena Cava*, Mae Ling Lokko and Gustavo Crembil. Installation view, GBR—Geology of Britannic Repair, British Pavilion, 19th International Architecture Exhibition of La Biennale di Venezia, 2025. Chris Lane © British Council

Perspective view