Images - Yale Architecture

Student Work Building Project
Exhibitions
YSOA Publications

Rudolph Hall / A&A
Student Travel
Perspecta

Posters
Section
Axonometric drawing
Year End (of the World)

Urbanism
One point perspective

Church Street South in 1969.

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Exterior view

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Oskar Hansen: Open Form exhibition at YSOA (2016)

Cover of Constructs Fall 2003

A Backstage Village for Palazzolo Acreide

Map_4. “Fake Property Zones” of some US cities. All created by F. Neyran Turan by data compiled from Richard Wiles and James R. Cox, “Nuclear Waste Accident Scenarios in the United States,” Environmental Working Group, (June 2002), http://www.mapscience.org/plumes/national.pdf, Arjun Makhijani, Howard Hu and Katherine Yih ed., Nuclear Wastelands: A Global Guide to Nuclear Weapons Production and Its Health and Environmental Effects, (Cambridge, Massachusetts: MIT Press, 1995). Final Environmental Impact Statement for a Geologic Repository for the Disposal of Spent Nuclear Fuel and High-Level Radioactive Waste at Yucca Mountain, Nye County, Nevada. U.S. Department of Energy, Office of Civilian Radioactive Waste Management. February 2002, http://www.ymp.gov/documents/feis_a/web_pdf/rgd_summ/rgsum_bm.pdf, and “Nuclear Neighborhoods”, http://nuclearneighborhoods.org.

Drawing by 2016 BP team D

Drawing by Dov Feinmesser

collage

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Perspective, Yala bungalows, Sand Dune House Scheme. 1968 Ink on tracing paper, 78 x 53 cm Nihal Amerasinghe (attributed) © Geoffrey Bawa and Lunuganga Trusts

Interior photo by Zelig Fok Nicole Doan

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The Motherland Maternity Care Center

Drawing by Claire Haugh

Site context by Rachel Gamble Boyd.

rendering

World map.

Black and white image of a room with drafts tables and men working at them.

Retrospecta 44

Deborah Berke speaking at a Yale Architecture alumni event.

Map published by Orinoco Mining Company depicting their concessions in the Guayana region: Cerro Bolívar, Ciudad Piar, Puerto Caroni and the dredging of the river. Source: Orinoco Mining Company: a resume (Puerto Ordaz: Orinoco Mining Company, 1956).

concrete prototype

Installation by David Langdon and Zachary Hoffmann.

Ines Weizman

plan

sketch

site model

The “nave” of the Arsenale. Photograph by Andrea Avezzù, courtesy La Biennale di Venezia