Yale Architecture

Student Work Building Project
Exhibitions
YSOA Publications

Rudolph Hall / A&A
Student Travel
Perspecta

Posters
Section
Axonometric drawing
Year End (of the World)

Urbanism
One point perspective

Towers in the City cover

Commissarisrebecca6

hyperloop campus/ team with Hao Xu

Prototype by Ethan Fischer

Perspective view

Wright shelby 4

Gehry lee 1

Section diagrams by Andrew Busmire.

Jiaming gu 1

Vincent Scully

Geers Advanced Studio in Italy

Interior rendering.

Panel discussion at Learning, Doing, Thinking symposium

Students in Brazil

Carter Wiseman

Autoorient

Independence / Dependence

Retrofuturisms

Awards main 1600x800 notext

Installation by Zelig Fok and Liwei Wang.

Fig_03_BrunnoDouat_The_author_processing_chambira_leaves_in_Tepapade

Nagata leanne 06

Hengyuan yang 5

View of exhibition "NOW: Year End Show of Student Work"

Cover of Rethinking Chongqing

2015 building project living area

2020 building project exterior

Vignette by Xiao Tan and Liyang Wang.

Superstudio, Saluti da Coketown (Greedings from Coketown), 1969 From Superstudio’s collection.

models

A Backstage Village for Palazzolo Acreide

Map_4. “Fake Property Zones” of some US cities. All created by F. Neyran Turan by data compiled from Richard Wiles and James R. Cox, “Nuclear Waste Accident Scenarios in the United States,” Environmental Working Group, (June 2002), http://www.mapscience.org/plumes/national.pdf, Arjun Makhijani, Howard Hu and Katherine Yih ed., Nuclear Wastelands: A Global Guide to Nuclear Weapons Production and Its Health and Environmental Effects, (Cambridge, Massachusetts: MIT Press, 1995). Final Environmental Impact Statement for a Geologic Repository for the Disposal of Spent Nuclear Fuel and High-Level Radioactive Waste at Yucca Mountain, Nye County, Nevada. U.S. Department of Energy, Office of Civilian Radioactive Waste Management. February 2002, http://www.ymp.gov/documents/feis_a/web_pdf/rgd_summ/rgsum_bm.pdf, and “Nuclear Neighborhoods”, http://nuclearneighborhoods.org.

Perspective by Paul Lorenz.