Yale Architecture

Student Work Building Project
Exhibitions
YSOA Publications

Rudolph Hall / A&A
Student Travel
Perspecta

Posters
Section
Axonometric drawing
Year End (of the World)

Urbanism
One point perspective

Environmental Awareness Center

Drawing by Caitlin Baiada

plan and section

Panel by Shreya Shah

Amber Wiley

GIF

3223a dimitris hartonas frontal facade

The Architect is IN/Yale Day of Service 2016

Drawing by Aymar Marino-Maza

View of exhibition "NOW: Year End Show of Student Work"

model

glasshouse gallery installation

Indigenous Scholars of Architecture, Planning and Design

Book by Istvan van Vianen.

Joseph-Benôit Suvée The Origin of Painting, 1791

Detail model of the Illwerke Zentrum Montafon.

02 readingsadu

Physical model by Nasim Rowshanabadi.

A retrospective on ten years of practice in eastern contexts exhibition layout

Drawing by Ziyue Liu

Spread from Architecture of the Everyday

section

Plan drawing by Evan Sale.

Isometric drawing

Deborah Berke talks to students

Architoon by Stanley Tigerman

Map_4. “Fake Property Zones” of some US cities. All created by F. Neyran Turan by data compiled from Richard Wiles and James R. Cox, “Nuclear Waste Accident Scenarios in the United States,” Environmental Working Group, (June 2002), http://www.mapscience.org/plumes/national.pdf, Arjun Makhijani, Howard Hu and Katherine Yih ed., Nuclear Wastelands: A Global Guide to Nuclear Weapons Production and Its Health and Environmental Effects, (Cambridge, Massachusetts: MIT Press, 1995). Final Environmental Impact Statement for a Geologic Repository for the Disposal of Spent Nuclear Fuel and High-Level Radioactive Waste at Yucca Mountain, Nye County, Nevada. U.S. Department of Energy, Office of Civilian Radioactive Waste Management. February 2002, http://www.ymp.gov/documents/feis_a/web_pdf/rgd_summ/rgsum_bm.pdf, and “Nuclear Neighborhoods”, http://nuclearneighborhoods.org.

Drawing by 2016 BP team H

orange pushpin on pinup board

Concrete swatch in a Louis Kahn building.

The “nave” of the Arsenale. Photograph by Andrea Avezzù, courtesy La Biennale di Venezia