Yale Architecture

Student Work Building Project
Exhibitions
YSOA Publications

Rudolph Hall / A&A
Student Travel
Perspecta

Posters
Section
Axonometric drawing
Year End (of the World)

Urbanism
One point perspective

Tectonics

Drawing by Garrett Hardee

Kevin Gray

Interior photo by Zelig Fok Nicole Doan

2014 building project exterior

Plan drawing by Alexander Stagge and Chad Greenlee.

Shop front. Color perspective. Sigurd Lewerentz

Dominiq Oti the fourth wall

perspective

Map_4. “Fake Property Zones” of some US cities. All created by F. Neyran Turan by data compiled from Richard Wiles and James R. Cox, “Nuclear Waste Accident Scenarios in the United States,” Environmental Working Group, (June 2002), http://www.mapscience.org/plumes/national.pdf, Arjun Makhijani, Howard Hu and Katherine Yih ed., Nuclear Wastelands: A Global Guide to Nuclear Weapons Production and Its Health and Environmental Effects, (Cambridge, Massachusetts: MIT Press, 1995). Final Environmental Impact Statement for a Geologic Repository for the Disposal of Spent Nuclear Fuel and High-Level Radioactive Waste at Yucca Mountain, Nye County, Nevada. U.S. Department of Energy, Office of Civilian Radioactive Waste Management. February 2002, http://www.ymp.gov/documents/feis_a/web_pdf/rgd_summ/rgsum_bm.pdf, and “Nuclear Neighborhoods”, http://nuclearneighborhoods.org.

Plan

Team b final presentation page 16

Drawing by Sofia Singler

3223a dimitris hartonas facade drawing

Oslo Opera House

Irwin Union Bank teller offering service to mobile customer. (Saarinen, Eero, Collection Manuscripts & Archives, Yale University).

Rendering for HUD Innovation in Affordable Housing Competition winning entry

Model by Chris Hyun

09 model

Model 1

Detail model of the Wood Innovation and Design Center.

View of exhibition "NOW: Year End Show of Student Work"

HORIZON postcard image

Lauren Carmona

sections

Drawing by Punde, Sorabjee, and Yang

Acre Park view

Group h page 24

Palladio Virtuel

Dock at Governors Island, New York

Protest protection suit by Matthew Bohne and Claire Haugh.

reception