Yale Architecture

Student Work Building Project
Exhibitions
YSOA Publications

Rudolph Hall / A&A
Student Travel
Perspecta

Posters
Section
Axonometric drawing
Year End (of the World)

Urbanism
One point perspective

Drawing by Jeremy Leonard, Gordon Schissler, and Madison Sembler.

Map by Jane Jia Weng and Mary Felker.

Robert Gatje’s photograph of the Armstrong Rubber Building with the freestanding sign in the foreground.

Kroin mari 7

axonometric diagram

GOLYMPUS Paul Meuser

Overview of multiple sites

Image of Albena Yaneva's lecture in Hastings Hall.

A view of a landscape: A cotton gin motor by Kevin Beasley

Drawing by Andrew Busmire.

Temple Street Parking Garage

View from corner

2023 Jim Vlock First Year Building Project

Nashville Parthenon

Thompson ben 9

Ap.wc.rock reclining 05 15x22 copy

sketch model

SP FileNav.PNG

Xu stella 8

Map_4. “Fake Property Zones” of some US cities. All created by F. Neyran Turan by data compiled from Richard Wiles and James R. Cox, “Nuclear Waste Accident Scenarios in the United States,” Environmental Working Group, (June 2002), http://www.mapscience.org/plumes/national.pdf, Arjun Makhijani, Howard Hu and Katherine Yih ed., Nuclear Wastelands: A Global Guide to Nuclear Weapons Production and Its Health and Environmental Effects, (Cambridge, Massachusetts: MIT Press, 1995). Final Environmental Impact Statement for a Geologic Repository for the Disposal of Spent Nuclear Fuel and High-Level Radioactive Waste at Yucca Mountain, Nye County, Nevada. U.S. Department of Energy, Office of Civilian Radioactive Waste Management. February 2002, http://www.ymp.gov/documents/feis_a/web_pdf/rgd_summ/rgsum_bm.pdf, and “Nuclear Neighborhoods”, http://nuclearneighborhoods.org.

Brandon Brooks diagram

02 mile high chicago

The Rotival Plan of 1942.

Visual output of computer program.

Site model by Xiaomeng Li.

Ornament and Ecology event poster

chart alumni professional roles

Corridor Library

Jiaming gu 3

Zhu Pei

10 lefevre

axonometric

Drawing by 2016 BP team F

COASTAL ASSEMBLAGE: TOWARDS A PRACTICE OF ADAPTATION