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Axonometric drawing
Year End (of the World)

Urbanism
One point perspective

Facade study by Graham Brindle.

Cover of Cultural Cues

Perspective, Yala bungalows, Sand Dune House Scheme. 1968 Ink on tracing paper, 78 x 53 cm Nihal Amerasinghe (attributed) © Geoffrey Bawa and Lunuganga Trusts

Plan perspective by Pik-Tone Fung.

Commencement Yale Architecture

Jd end of year show img page 03

Group f .pptx (1) page 14

thumbnail Pages from 286 Cadre Page 5

Momoyo Kaijima

Bryan Fuermann

Group f .pptx (1) page 18

Mace details

Shuchen dong intersectionaltheater1

Indigenous Scholars of Architecture, Planning and Design

Production Potential: The Future of Vacant Buildings. Image by Marco Zorzanello, courtesy La Biennale di Venezia

Drawing by Jared Abraham

Perspective by Ilana Simhon.

Section drawing by Heather Bizon.

Drawings by Michael Harrison

Drawing by Shayari de Silva

Model view

Armstrong Rubber Co. 1967, Marcel Breuer and Robert Gatje

Reading Sadu exhibition

Intubation Boxes

Underslung Cages. From Kolar Gold Fields Bulletin No. 6, October- December 1921.

quipu

Almost Studio and Nanette Carter, Excess Entitlements, featured in Time Space Existence. Photograph by Celestia Studio

Owen wang5

Four abandoned storefronts. 1) a dingy, derelict, dark room. A crumbling sign for a sustainable furniture shop. Shelves on the walls, and a hole punched through with the words “CRAWL”. 2) an old cafe. Rotted ceiling panels cover the counter and floor. A bright green and purple “THANK YOU” sign. 3) the remnants of a nail salon. Full nail-polish display intact, dusty. Mani-pedi chairs like beached whales, nasty. Someone has spray-painted in terrible colors. 4) A narrow white room. White tiles, pale green strip. A fallen angel.

Drawing by Sofia Singler

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Perspective by Matthew Zuckerman.

Cover of Constructs Spring 2010

Exterior view