Yale Architecture

Student Work Building Project
Exhibitions
YSOA Publications

Rudolph Hall / A&A
Student Travel
Perspecta

Posters
Section
Axonometric drawing
Year End (of the World)

Urbanism
One point perspective

New Zealand wetlands

"My house goes on forever"

Caryatid from the back

Axonometric by Kerry Garikes.

Freie Deutsche Jugend

20230612 2023 06 12 r5b 9032

Brian Orser drawing

concrete prototype

paprika! layout

1011a deirdre plaus collage

Gehry studio trip in Spring 2016

Pezo von Ellrichshausen, SOLO house

Janna King

4 bldg final plan level 2 smaller 2 12.2.23

Drawing by Andrew Busmire.

collage

The City Between Administrative Boundaries, Haqqi Brothers Map for Karachi

Mae-ling Lokko photo by Shannon Straney

Paved Walkway collage

Project by Tess McNamara

Rachaporn Choochuey

Drawing by Jeremy Leonard, Gordon Schissler, and Madison Sembler.

View of exhibition "NOW: Year End Show of Student Work"

perspective

Map_4. “Fake Property Zones” of some US cities. All created by F. Neyran Turan by data compiled from Richard Wiles and James R. Cox, “Nuclear Waste Accident Scenarios in the United States,” Environmental Working Group, (June 2002), http://www.mapscience.org/plumes/national.pdf, Arjun Makhijani, Howard Hu and Katherine Yih ed., Nuclear Wastelands: A Global Guide to Nuclear Weapons Production and Its Health and Environmental Effects, (Cambridge, Massachusetts: MIT Press, 1995). Final Environmental Impact Statement for a Geologic Repository for the Disposal of Spent Nuclear Fuel and High-Level Radioactive Waste at Yucca Mountain, Nye County, Nevada. U.S. Department of Energy, Office of Civilian Radioactive Waste Management. February 2002, http://www.ymp.gov/documents/feis_a/web_pdf/rgd_summ/rgsum_bm.pdf, and “Nuclear Neighborhoods”, http://nuclearneighborhoods.org.

Group f .pptx (1) page 14

Rendering by Winston Yuen.

Group a page 25

Detail axonometric by Rachel Gamble Boyd.

Drawing by Punde, Sorabjee, and Yang

6 pattern ginger white

Review

Drawing by Dov Feinmesser

Perspective by Dylan Weiser.