Images - Yale Architecture

Student Work Building Project
Exhibitions
YSOA Publications

Rudolph Hall / A&A
Student Travel
Perspecta

Posters
Section
Axonometric drawing
Year End (of the World)

Urbanism
One point perspective

model

Lina Bo Bardi—A Marvellous Entanglement at Yale School of Architecture

Wright shelby 1

Drawing by Punde, Sorabjee, and Yang

Hernan Diaz Alonso advanced studio in Vienna

plan

section

Group a page 25

Installation view of A Retrospective on Ten Years of Practice in Eastern Contexts

master plan for Stalinstadt

Image of the symposium Environment, Reconsidered

Xu stella 2

Archive materials from the Black Workshop archives Image source: Kingman Brewster, Jr., President of Yale University, Records, RU 11, Box 26, Folder 1, Manuscripts and Archives Division, Sterling Memorial Library, Yale University, New Haven, CT.

Leyi zhang year end exhibition9

Project by Tess McNamara

Rendering for HUD Innovation in Affordable Housing Competition winning entry

Bentota beach hotel

02 readingsadu

Eisenman studio in Siena

Four abandoned storefronts. 1) a dingy, derelict, dark room. A crumbling sign for a sustainable furniture shop. Shelves on the walls, and a hole punched through with the words “CRAWL”. 2) an old cafe. Rotted ceiling panels cover the counter and floor. A bright green and purple “THANK YOU” sign. 3) the remnants of a nail salon. Full nail-polish display intact, dusty. Mani-pedi chairs like beached whales, nasty. Someone has spray-painted in terrible colors. 4) A narrow white room. White tiles, pale green strip. A fallen angel.

Josephine minutillo 2

Jafari niema 8

Fig. 2.12: Gray’s School of Botany. Fig. 2.13, Gray’s School of Botany. Fig. 2.14, System, Plate 5, Sullivan. Fig. 2.15: System, Plate 3 Detail, Sullivan. Fig., 3.1: Hagia Sophia, Istanbul (532‐537 C.E.), Building Section.

Lam.hiuki7

Pappalardo 1

Siena, Italy

Team d page 11

Copies of Perspecta 50 for sale.

Rudolph Hall Flowers

NOW

Jiaming gu 6

Drawing by Erin Kim.

model

Section perspective nancy 3r

Site context by Rachel Gamble Boyd.