Yale Architecture

Student Work Building Project
Exhibitions
YSOA Publications

Rudolph Hall / A&A
Student Travel
Perspecta

Posters
Section
Axonometric drawing
Year End (of the World)

Urbanism
One point perspective

prototype

Cover of Constructs Spring 2007

Drawing by Jeongyoon Song

Typology diagram

Model of a formal garden by Jamie Edindjiklian.

The Architect is IN/Yale Day of Service 2016

Norma Barbacci

Axonometric drawing by Alexander Stagge and Chad Greenlee.

Paul Rudolph Hall

Lulzbot Taz 3D Printer

Frei Otto Portrait

Anish Kapoor Gibbs Farm Phineas Taylor Webb

Ottoman house drawing

Miami Art Deco

Books written by MED alumni

Pappalardo 1

Adrienne Brown

Douglas Spencer

Yitzhak Kalter image

School of architecture 2025 2026 1

One of the thesis books opened up to a spread showcasing six environmental data analysis graphs.

Map_4. “Fake Property Zones” of some US cities. All created by F. Neyran Turan by data compiled from Richard Wiles and James R. Cox, “Nuclear Waste Accident Scenarios in the United States,” Environmental Working Group, (June 2002), http://www.mapscience.org/plumes/national.pdf, Arjun Makhijani, Howard Hu and Katherine Yih ed., Nuclear Wastelands: A Global Guide to Nuclear Weapons Production and Its Health and Environmental Effects, (Cambridge, Massachusetts: MIT Press, 1995). Final Environmental Impact Statement for a Geologic Repository for the Disposal of Spent Nuclear Fuel and High-Level Radioactive Waste at Yucca Mountain, Nye County, Nevada. U.S. Department of Energy, Office of Civilian Radioactive Waste Management. February 2002, http://www.ymp.gov/documents/feis_a/web_pdf/rgd_summ/rgsum_bm.pdf, and “Nuclear Neighborhoods”, http://nuclearneighborhoods.org.

Drawing by Richard Green

Rendering by Daniel Glick-Unterman and Pierre Thach.

2003 simone brott image 01

Adaptive Reuse of Hangar

gropius house dining room

John Palmesino, Neil Brenner, Tim Ingold, Ariane Lourie Harrison

drawing by Kim Jessica

A view of a landscape: A cotton gin motor by Kevin Beasley

Drawing by Dov Feinmesser

rendering

Drawing by Dylan Lee