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Drawing by Erin Kim.
Exploded axonometric drawing by Liwei Wang.
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SRO interior and exterior.
Nundyroog Mine: Longitudinal Section Showing Ore-Chutes. Dr. F. H. Hatch. From Memoirs of the Geological Survey of India Vol. XXXIII. Pl. 9. Survey of India Offi ce, Calcutta, December 1900.
Interactive fitting rooms at Ralph Lauren render highly efficient the experience of finding and trying on clothing, while reducing its haptic and social aspects.
Drawing by Michael Harrison
Drawing by Mengshi Sun
Drawing by Heather Bizon
Drawing by Dima Srouji
Drawing by Richard Green
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Student Work

Drawing by Andrew Dadds
Drawing by Andrew Dadds
Drawing by Andrew Dadds
Drawing by Andrew Dadds
Drawing by Andrew Dadds
Model by Andrew Dadds
Model by Andrew Dadds
Model by Andrew Dadds
Model by Andrew Dadds
Model by Andrew Dadds
1∕10

Title

Gridscapes

Authors
Andrew Dadds

Course
Advanced Design Studio: Post FAT

Project Description

The project is presented as a collection of things. Grids, lines, artifacts, architectural hybrids, constructed artifacts, become a project about the possibilities of architecture. Early “Gridscapes” combine Corbusier’s monumental project of modernism and hygiene, the Villa Savoye, with John Smith’s 1612 map of Virginia. Mechanized space of the 20th Century crosses with calligraphic landscapes of 17th Century representation. Constructed artifacts deal with the nature of the line as a hybridized thing, capable of changing material properties from charred to natural wood, seamlessly spliced with resin.

Early artifacts and Gridscapes deploy themselves on a site in Peckham. The project becomes a world enveloping contradictory things, Spa and Meat Market, Gallery and Residential spaces, self-referential proportions, and calligraphic ribbon windows all come together in a Polyphonic world about representation and architecture.


Tags
London UK Postdigital