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Schematic drawing for Inflata-box.
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The Topographic Maps between Yichang and Chongqing, 1936
Detail of “Close Combat Course”; Sketch to Accompany Inclosure 2 in 353.01/61–GnGTC (2-4-43); H.Q. A.G.F. to all Commanding Generals (February, 4 1943) “Subject: Special Battle Courses”; Training Directives; Background Files: “Military Training in WWII” 1939-1945; Record Group 319, National Archives Building, College Park, M.D.
Julian Beck, Poster for Six Public Acts with Map of Pittsburgh as Background, 1975. Living Theatre Records, Beinecke Archives and Manuscripts Library.
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Map of Connecticut.
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Rendering of Boston City Hall Plaza with new intervention.
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Student Work

Perspective by Matthew Zuckerman.
Perspective by Matthew Zuckerman.
Perspective by Matthew Zuckerman.
Section drawing by Matthew Zuckerman.
Plan drawing by Matthew Zuckerman.
1∕5

Title

Gasworks Theatre

Authors
Matthew Zuckerman

Course
The City and The Theatre

Project Description

Gasworks Theatre rejects the traditional division between front-of-house and back-of-house space and restructures the theatre around a shared all-of-house zone. This zone is both programmatic and symbolic, permitting greater exchange among spectators, actors, production staff, and the public at large. Spatially, this all-of-house realm occupies the charged in-between spaces among the site’s five disparate structures, three preserved nineteenth-century masonry buildings, and two new facilities for theatre production. These structures distribute and restructure the functions of the theatre–from ticketing to costume maintenance and prop fabrication–such that the all-of-house zone is a place of necessary congregation and mixing. Above, the continuity of this all-of-house world is manifest in the uninterrupted roof place that caps the site. Below, the floor of the city rolls right through the project, connecting Gasworks Theatre to the everyday performance of the city beyond.

Tags
Public space Theater Campus Canada Canopy Toronto Preservation