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P.h.D.M.E.D.M.Arch. IIM.Arch I
Drawing by Erin Kim.
Exploded axonometric drawing by Liwei Wang.
Helix rendering by Katrina Yin.
Physical model by Evan Sale.
Physical model by Wilson Carroll.
Section drawing by Lucas Boyd.
Drawing by Danielle Schwartz, Margaret Marsh, Alexis Hyman
Drawing by Guillermo Castello, Justin Lai, Alison Zuccaro
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Drawing by Matthew Bohne
Drawing by Gina Cannistra
Drawing by Christopher Leung
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Drawing by Robert Yoos
Handdrawn staircase by Winston Yuen.
Plan drawing by Erin Hyelin Kim.
SRO interior and exterior.
Nundyroog Mine: Longitudinal Section Showing Ore-Chutes. Dr. F. H. Hatch. From Memoirs of the Geological Survey of India Vol. XXXIII. Pl. 9. Survey of India Offi ce, Calcutta, December 1900.
Interactive fitting rooms at Ralph Lauren render highly efficient the experience of finding and trying on clothing, while reducing its haptic and social aspects.
Drawing by Michael Harrison
Drawing by Mengshi Sun
Drawing by Heather Bizon
Drawing by Dima Srouji
Drawing by Richard Green
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Student Work

F21 1101 ghshhe kimj render3 kitchen
F21 1101 ghshhe kimj render1 bed
F21 1101 ghshhe kimj plan
F21 1101 ghshhe kimj long section
F21 1101 ghshhe kimj vehicles diagram
1∕5

Title

futureNOMAD

Authors
Jeeu Sarah Kim

Course
Advanced Design Studio

Project Description

In 2022, the Guggenheim Bilbao will present MOTION: Autos, Art, Architecture, a museum-wide show devoted to the love affair between cars and culture. Norman Foster, the show’s curator, invited Yale to contribute to the “Futures” section of the show dedicated to imagining mobility as it may be manifest in 2086 which is sixty-five years into the future and during the 200th anniversary of the first Benz gasoline-powered automobile. This studio takes up the challenge of this invitation to visit the future. Sixty-five years is a long way out; uncertainties multiply and simple extrapolations fail futurology and science-fiction. Just two expectations may be reliable: 2086 will be post-carbon or the planet will be post-human and some works of fiction have a way of channeling events and coming true. This studio imagines 2086 mobility through the twin lenses of “Nomad Life” and “Pop-Up Cities.” The work focused on the paradox of mass autonomy—what happens when auto-mobility becomes socio-mobility, when vessels or vehicles interact, when convoys and camps emerge, and when communities and cities ”pop-up.”