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Schematic drawing for Inflata-box.
Visual output of computer program.
Project by James Schwartz.
Model by Valeria Flores.
The Topographic Maps between Yichang and Chongqing, 1936
Detail of “Close Combat Course”; Sketch to Accompany Inclosure 2 in 353.01/61–GnGTC (2-4-43); H.Q. A.G.F. to all Commanding Generals (February, 4 1943) “Subject: Special Battle Courses”; Training Directives; Background Files: “Military Training in WWII” 1939-1945; Record Group 319, National Archives Building, College Park, M.D.
Julian Beck, Poster for Six Public Acts with Map of Pittsburgh as Background, 1975. Living Theatre Records, Beinecke Archives and Manuscripts Library.
Concrete swatch in a Louis Kahn building.
Philosophical object by Gentley Smith.
Overview of sample neighborhood design.
Perspective drawing.
Grid of props.
Painted wall.
Drawing by Liwei Wang and Haylie Chan.
Publication on Whitehall in London.
Model of a formal garden by Jamie Edindjiklian.
Watercolor frieze by Gina Cannistra.
Diagram of pollutant mediation strategies.
Map of Connecticut.
Rendering by Daniel Glick-Unterman and Pierre Thach.
Rendering by Ian Donaldson and Radhika Singh.
Rendering of Boston City Hall Plaza with new intervention.
Physical model.
Model by Ava Amirahmadi.
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Student Work

F21 1101 ghshhe kimj render3 kitchen
F21 1101 ghshhe kimj render1 bed
F21 1101 ghshhe kimj plan
F21 1101 ghshhe kimj long section
F21 1101 ghshhe kimj vehicles diagram
1∕5

Title

futureNOMAD

Authors
Jeeu Sarah Kim

Course
Advanced Design Studio

Project Description

In 2022, the Guggenheim Bilbao will present MOTION: Autos, Art, Architecture, a museum-wide show devoted to the love affair between cars and culture. Norman Foster, the show’s curator, invited Yale to contribute to the “Futures” section of the show dedicated to imagining mobility as it may be manifest in 2086 which is sixty-five years into the future and during the 200th anniversary of the first Benz gasoline-powered automobile. This studio takes up the challenge of this invitation to visit the future. Sixty-five years is a long way out; uncertainties multiply and simple extrapolations fail futurology and science-fiction. Just two expectations may be reliable: 2086 will be post-carbon or the planet will be post-human and some works of fiction have a way of channeling events and coming true. This studio imagines 2086 mobility through the twin lenses of “Nomad Life” and “Pop-Up Cities.” The work focused on the paradox of mass autonomy—what happens when auto-mobility becomes socio-mobility, when vessels or vehicles interact, when convoys and camps emerge, and when communities and cities ”pop-up.”