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Schematic drawing for Inflata-box.
Visual output of computer program.
Project by James Schwartz.
Model by Valeria Flores.
The Topographic Maps between Yichang and Chongqing, 1936
Detail of “Close Combat Course”; Sketch to Accompany Inclosure 2 in 353.01/61–GnGTC (2-4-43); H.Q. A.G.F. to all Commanding Generals (February, 4 1943) “Subject: Special Battle Courses”; Training Directives; Background Files: “Military Training in WWII” 1939-1945; Record Group 319, National Archives Building, College Park, M.D.
Julian Beck, Poster for Six Public Acts with Map of Pittsburgh as Background, 1975. Living Theatre Records, Beinecke Archives and Manuscripts Library.
Concrete swatch in a Louis Kahn building.
Philosophical object by Gentley Smith.
Overview of sample neighborhood design.
Perspective drawing.
Grid of props.
Painted wall.
Drawing by Liwei Wang and Haylie Chan.
Publication on Whitehall in London.
Model of a formal garden by Jamie Edindjiklian.
Watercolor frieze by Gina Cannistra.
Diagram of pollutant mediation strategies.
Map of Connecticut.
Rendering by Daniel Glick-Unterman and Pierre Thach.
Rendering by Ian Donaldson and Radhika Singh.
Rendering of Boston City Hall Plaza with new intervention.
Physical model.
Model by Ava Amirahmadi.
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Student Work

Environmental Awareness Center
Environmental Awareness Center
Environmental Awareness Center
Environmental Awareness Center
Environmental Awareness Center
Environmental Awareness Center
Environmental Awareness Center
Environmental Awareness Center
Environmental Awareness Center
1∕9

Title

Environmental Awareness Center

Authors
Cornelius Pelzer

Course
Architectural Design 3

Project Description

Looking beyond what is built in “Adaptive Reuse“, this architecture uncovers a wider range of energetic potentials within the plot.

In splitting the program and deriving multiple envelopes, solar exposures can be tweaked respectively, for each situation on site. The detachment allows to passively create distinct climates in different buildings; one of which is using water as thermal mass (slides 1-3). While deploying rainwater as a new construction material from the site, a prototype for the water-wall, a modified Trombe-wall, emerges.

A direct expansion on the built substance is the greenhouse that slopes over the southern masonry wall of the old library (4-7). This ancient „lean to“ type is performing as an unheated greenhouse, using the existing brick as further heat storage. Eventually, three different types were conceived.

In this concept, the perception of local material changes and promotes ideas beyond haptics as the central quality of an aestheticized on-site substance. Fair Haven climate is reconsidered as a set of environmental assets, a new materiality from which a supplementary structure is aimed to evolve.