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Schematic drawing for Inflata-box.
Visual output of computer program.
Project by James Schwartz.
Model by Valeria Flores.
The Topographic Maps between Yichang and Chongqing, 1936
Detail of “Close Combat Course”; Sketch to Accompany Inclosure 2 in 353.01/61–GnGTC (2-4-43); H.Q. A.G.F. to all Commanding Generals (February, 4 1943) “Subject: Special Battle Courses”; Training Directives; Background Files: “Military Training in WWII” 1939-1945; Record Group 319, National Archives Building, College Park, M.D.
Julian Beck, Poster for Six Public Acts with Map of Pittsburgh as Background, 1975. Living Theatre Records, Beinecke Archives and Manuscripts Library.
Concrete swatch in a Louis Kahn building.
Philosophical object by Gentley Smith.
Overview of sample neighborhood design.
Perspective drawing.
Grid of props.
Painted wall.
Drawing by Liwei Wang and Haylie Chan.
Publication on Whitehall in London.
Model of a formal garden by Jamie Edindjiklian.
Watercolor frieze by Gina Cannistra.
Diagram of pollutant mediation strategies.
Map of Connecticut.
Rendering by Daniel Glick-Unterman and Pierre Thach.
Rendering by Ian Donaldson and Radhika Singh.
Rendering of Boston City Hall Plaza with new intervention.
Physical model.
Model by Ava Amirahmadi.
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Student Work

1 bldg final perspective front   12 (1)
2 bldg final plan level gl   12.2.23
3 bldg final plan level 1   12.2.23
4 bldg final plan level 2 smaller 2   12.2.23
5 bldg final plan site   12.2.23
6 pattern ginger white
7 bldg final section perspective   12
8 double section vignette with snow portfolio
1∕8

Title

BLDG

Authors
Collin Shearman

Course
Architectural Design I

Project Description

The premise of BLDG was to synthesize the previous three projects from the semester: Collages, Section, and Plan to create a site and program specific building.

A spiritual program derailed by my own interest in the glass blowing artisan allowed me to celebrate materiality, the execution of color, and viewership in a sort of building corpse, or BLDG; a building that is simultaneously not. Based on artwork inspired by the geometric style of Wassily Kandinsky, the BLDG starts to take form by breaking the pattern into parts of a single puzzle. Set in Rotterdam, Netherlands the site overtakes the Kunthstal in winter. A glass blowing studio and exhibition space that produces two grains of space, one for the artisan, and the other for the spectator. The artisan will occupy Ground Level, Level: Creating, working and creating their art, while the visitor can enter on Level One, Level: Experiencing, where the main exhibition space can be found. Both user groups can engage fully on Level Three, Level Understanding, with a sense of reflection in mind. This level can teach classes open to the public and hold collaboration between the artisan and visitor of all ages.