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P.h.D.M.E.D.M.Arch. IIM.Arch I
Schematic drawing for Inflata-box.
Visual output of computer program.
Project by James Schwartz.
Model by Valeria Flores.
The Topographic Maps between Yichang and Chongqing, 1936
Detail of “Close Combat Course”; Sketch to Accompany Inclosure 2 in 353.01/61–GnGTC (2-4-43); H.Q. A.G.F. to all Commanding Generals (February, 4 1943) “Subject: Special Battle Courses”; Training Directives; Background Files: “Military Training in WWII” 1939-1945; Record Group 319, National Archives Building, College Park, M.D.
Julian Beck, Poster for Six Public Acts with Map of Pittsburgh as Background, 1975. Living Theatre Records, Beinecke Archives and Manuscripts Library.
Concrete swatch in a Louis Kahn building.
Philosophical object by Gentley Smith.
Overview of sample neighborhood design.
Perspective drawing.
Grid of props.
Painted wall.
Drawing by Liwei Wang and Haylie Chan.
Publication on Whitehall in London.
Model of a formal garden by Jamie Edindjiklian.
Watercolor frieze by Gina Cannistra.
Diagram of pollutant mediation strategies.
Map of Connecticut.
Rendering by Daniel Glick-Unterman and Pierre Thach.
Rendering by Ian Donaldson and Radhika Singh.
Rendering of Boston City Hall Plaza with new intervention.
Physical model.
Model by Ava Amirahmadi.
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Student Work

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1∕8

Title

Advanced Studio Project

Authors
Yuqing Wu
Serena Liu

Course
The City of Lost Gold

Project Description

Nestled within the historic Minas do Palácio Velho in Ouro Preto, Brazil, this project delves into the intricate interplay between gold, mining, and the profound narratives of colonization and slavery that have shaped the region’s history. Drawing inspiration from the opulent intricacies of Baroque pearl necklaces, the design unfolds along a sinuous circulation path, seamlessly weaving through dispersed, enigmatic black box exhibition rooms within the valley via precarious narrow bridges and staircases, intricately mirroring the undulating topography of Ouro Preto. The judicious selection of materials such as charred wood, concrete, natural rock, golden metal, black granite, and channeled glass ensures a harmonious interplay of contrasts. The meandering circulation path escorts visitors through immersive museum spaces marked by sharp contrasts and varying scales.