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P.h.D.M.E.D.M.Arch. IIM.Arch I
Drawing by Erin Kim.
Exploded axonometric drawing by Liwei Wang.
Helix rendering by Katrina Yin.
Physical model by Evan Sale.
Physical model by Wilson Carroll.
Section drawing by Lucas Boyd.
Drawing by Danielle Schwartz, Margaret Marsh, Alexis Hyman
Drawing by Guillermo Castello, Justin Lai, Alison Zuccaro
Drawing by Tess McNamara
Drawing by Matthew Bohne
Drawing by Gina Cannistra
Drawing by Christopher Leung
Drawing by Anna Nasonova
Drawing by Robert Yoos
Handdrawn staircase by Winston Yuen.
Plan drawing by Erin Hyelin Kim.
SRO interior and exterior.
Nundyroog Mine: Longitudinal Section Showing Ore-Chutes. Dr. F. H. Hatch. From Memoirs of the Geological Survey of India Vol. XXXIII. Pl. 9. Survey of India Offi ce, Calcutta, December 1900.
Interactive fitting rooms at Ralph Lauren render highly efficient the experience of finding and trying on clothing, while reducing its haptic and social aspects.
Drawing by Michael Harrison
Drawing by Mengshi Sun
Drawing by Heather Bizon
Drawing by Dima Srouji
Drawing by Richard Green
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Student Work

Exhibition View Through Museum Window
Exhibition View Through Museum Window
An installation image of Resonance of Things Unseen: Indigenous Sovereignty, Institutional Accession, and Private Correspondence, an exhibition that displayed the fieldwork documents of a former Peabody Curator. Exhibition on view from March 26 - November 1, 2024.
An installation image of Resonance of Things Unseen: Indigenous Sovereignty, Institutional Accession, and Private Correspondence, an exhibition that displayed the fieldwork documents of a former Peabody Curator. Exhibition on view from March 26 - November 1, 2024.
Exhibition Plaque and Portrait of William Sturtevant
Exhibition Plaque and Portrait of William Sturtevant
Vinyl Detail of Architectural Blueprint
Vinyl Detail of Architectural Blueprint
Yale Peabody Museum Atrium With View of Exhibition on Left
An installation image of Resonance of Things Unseen: Indigenous Sovereignty, Institutional Accession, and Private Correspondence, an exhibition that displayed the fieldwork documents of a former Peabody Curator. Exhibition on view from March 26 - November 1, 2024.
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Title

Domestic Exotic: Dispossession and Desire in South Florida 20th c Tourism

Authors
Emily Velez Nelms

Course
Independent M.E.D. Research

Project Description

Domestic Exotic: Dispossession and Desire in South Florida 20th c Tourism, considers the conditions that led to the rise of cultural tourism in Florida and examines Yale University’s involvement in this economic phenomenon. Cultural tourism is defined as site-seeing attractions where performers interact with visitors under fabricated conditions. At these sites, ‘the spectacle of the other’ was demarcated onto specific bodies, creating a collective imaginary that helped to shape the infrastructure and public thought of Florida as a travel destination for Euro-American audiences. This document supports an exhibition at the Yale Peabody Museum titled, The Resonance of Things Unseen: Indigenous Sovereignty, Institutional Accession, and Private Correspondence (March 26 - November 1, 2024).

Related items

Courses

Independent M.E.D. Research

Student Work

Domestic Exotic: Dispossession and Desire in South Florida 20th c Tourism

Exhibition View Through Museum Window
Students

Emily Velez Nelms