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P.h.D.M.E.D.M.Arch. IIM.Arch I
Schematic drawing for Inflata-box.
Visual output of computer program.
Project by James Schwartz.
Model by Valeria Flores.
The Topographic Maps between Yichang and Chongqing, 1936
Detail of “Close Combat Course”; Sketch to Accompany Inclosure 2 in 353.01/61–GnGTC (2-4-43); H.Q. A.G.F. to all Commanding Generals (February, 4 1943) “Subject: Special Battle Courses”; Training Directives; Background Files: “Military Training in WWII” 1939-1945; Record Group 319, National Archives Building, College Park, M.D.
Julian Beck, Poster for Six Public Acts with Map of Pittsburgh as Background, 1975. Living Theatre Records, Beinecke Archives and Manuscripts Library.
Concrete swatch in a Louis Kahn building.
Philosophical object by Gentley Smith.
Overview of sample neighborhood design.
Perspective drawing.
Grid of props.
Painted wall.
Drawing by Liwei Wang and Haylie Chan.
Publication on Whitehall in London.
Model of a formal garden by Jamie Edindjiklian.
Watercolor frieze by Gina Cannistra.
Diagram of pollutant mediation strategies.
Map of Connecticut.
Rendering by Daniel Glick-Unterman and Pierre Thach.
Rendering by Ian Donaldson and Radhika Singh.
Rendering of Boston City Hall Plaza with new intervention.
Physical model.
Model by Ava Amirahmadi.
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Student Work

Exhibition View Through Museum Window
Exhibition View Through Museum Window
An installation image of Resonance of Things Unseen: Indigenous Sovereignty, Institutional Accession, and Private Correspondence, an exhibition that displayed the fieldwork documents of a former Peabody Curator. Exhibition on view from March 26 - November 1, 2024.
An installation image of Resonance of Things Unseen: Indigenous Sovereignty, Institutional Accession, and Private Correspondence, an exhibition that displayed the fieldwork documents of a former Peabody Curator. Exhibition on view from March 26 - November 1, 2024.
Exhibition Plaque and Portrait of William Sturtevant
Exhibition Plaque and Portrait of William Sturtevant
Vinyl Detail of Architectural Blueprint
Vinyl Detail of Architectural Blueprint
Yale Peabody Museum Atrium With View of Exhibition on Left
An installation image of Resonance of Things Unseen: Indigenous Sovereignty, Institutional Accession, and Private Correspondence, an exhibition that displayed the fieldwork documents of a former Peabody Curator. Exhibition on view from March 26 - November 1, 2024.
1∕5

Title

Domestic Exotic: Dispossession and Desire in South Florida 20th c Tourism

Authors
Emily Velez Nelms

Course
Independent M.E.D. Research

Project Description

Domestic Exotic: Dispossession and Desire in South Florida 20th c Tourism, considers the conditions that led to the rise of cultural tourism in Florida and examines Yale University’s involvement in this economic phenomenon. Cultural tourism is defined as site-seeing attractions where performers interact with visitors under fabricated conditions. At these sites, ‘the spectacle of the other’ was demarcated onto specific bodies, creating a collective imaginary that helped to shape the infrastructure and public thought of Florida as a travel destination for Euro-American audiences. This document supports an exhibition at the Yale Peabody Museum titled, The Resonance of Things Unseen: Indigenous Sovereignty, Institutional Accession, and Private Correspondence (March 26 - November 1, 2024).

Related items

Courses

Independent M.E.D. Research

Student Work

Domestic Exotic: Dispossession and Desire in South Florida 20th c Tourism

Exhibition View Through Museum Window
Students

Emily Velez Nelms