![From left] Harlan Cleveland, Paul Ehrlich, and George Mitchell at the Third Woodlands Conference, 1979. Schmandt, v.](https://d33dlv5jzgs7pp.cloudfront.net/api/file/jgmEsR1zToCmPLEZ2gQq/convert?fit=max&format=jpg&h=&quality=95&w=408&compress=true&fit=max)
Student Work
Exhibition View Through Museum Window
An installation image of Resonance of Things Unseen: Indigenous Sovereignty, Institutional Accession, and Private Correspondence, an exhibition that displayed the fieldwork documents of a former Peabody Curator. Exhibition on view from March 26 - November 1, 2024.
Exhibition Plaque and Portrait of William Sturtevant
Vinyl Detail of Architectural Blueprint
An installation image of Resonance of Things Unseen: Indigenous Sovereignty, Institutional Accession, and Private Correspondence, an exhibition that displayed the fieldwork documents of a former Peabody Curator. Exhibition on view from March 26 - November 1, 2024.
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Title
Domestic Exotic: Dispossession and Desire in South Florida 20th c Tourism
Project Description
Domestic Exotic: Dispossession and Desire in South Florida 20th c Tourism, considers the conditions that led to the rise of cultural tourism in Florida and examines Yale University’s involvement in this economic phenomenon. Cultural tourism is defined as site-seeing attractions where performers interact with visitors under fabricated conditions. At these sites, ‘the spectacle of the other’ was demarcated onto specific bodies, creating a collective imaginary that helped to shape the infrastructure and public thought of Florida as a travel destination for Euro-American audiences. This document supports an exhibition at the Yale Peabody Museum titled, The Resonance of Things Unseen: Indigenous Sovereignty, Institutional Accession, and Private Correspondence (March 26 - November 1, 2024).
